My work confronts the institutionalized cultural and political norms that control women's identity and sexuality. Utilizing self-portraiture, I reflect on my own identity and experiences growing up in Kenya. I use culturally significant fabrics to go beyond aesthetics, sparking symbolic dialogue on the role of culture in shaping us. In works like Hail Reverend Njeri, I subvert restrictions, physically and metaphorically reclaiming my place. I use various materials including charcoal, fabric, oil paints, pastels, and bleach. Nudity in my work conveys vulnerability, further challenging the constraints that society imposes on women. As a multidisciplinary artist, I work in drawing, painting, soft sculpture, installation, and fiber arts. Through this diverse range of mediums, I address the intricate interplay between cultural traditions and personal identity. I draw inspiration from African fabrics, traditional architecture, cathedrals and stained glass. With a background in Fashion design, I enjoy working with textiles and incorporating textile patterns into my work through collage and drawing. I welcome viewers into a broader conversation on the liberation and autonomous expression of female identity, questioning the boundaries imposed upon them by their cultural spheres.